A high school girl encounters a rabbit like creature who sends her back in time.

菲尔莫洛伊极端动画选集 Phil Mulloy - Extreme Animation

We stand at the edge of the world each day. After the world ends, a new day and world begin. The days lost their connections long ago—there is no tomorrow or yesterday, only fragmented todays. What lies at the end of the path through these fragments?

Mikaela is a successful romance novelist who has had bad luck in love, visits a quaint bed and breakfast for a Christmas writer's retreat near a snowy lake town each year. Upon arriving, she meets dashing writer Levi, who soon convinces Mikaela that she shouldn't be writing about love, if she doesn't allow herself to get out and actually experience it.

Struggling actor Wayne Wenders has to look for other options to pay his increasingly late rent and ends up interviewing for a gig teaching Shakespeare at the local high school. Wayne is soon surprising himself with his love of the job—and for fellow English teacher Amy. He must ultimately decide if his dreams of stardom are really worth sacrificing everything for.

Playwright Alice Meyers reflects on the relationship that inspired tonight's performance.

A unique documentary about troops' experiences in Iraq and Afghanistan, based on writings by soldiers, Marines, and air men.

A transitional film at the end of his first decade of filmmaking, James Benning’s Grand Opera introduces a degree of storytelling to his previously more formalist devices. Benning calls the film his “first attempt at writing my own kind of history” and, in a sense, it also serves to write himself into history, acutely measuring his place as a Midwestern experimental filmmaker, then based in Oklahoma, in relationship to the avant-garde scene situated in New York. The film thus features homages to the prominent experimental cinema of the time, including a spoof of Wavelength, as well as cameos from Michael Snow, Hollis Frampton and Yvonne Rainer. Woven with these sequences are other characteristic Benning gambits – a compilation of every house he ever lived in, a preoccupation with the history of Pi, and the looming threat that a building will explode.

In this daring follow-up to The History of White People in America, comedian Martin Mull takes us on an in-depth look at such topics as White Religion, White Stress, White Politics, and White Crime.